Introduction –
As mentioned in our earlier review/s that art, artists and writer themes are passé. We’ve had enough of them. But once in a while, a film based on these very subjects brings a smile on our faces because of their variation, a twist with panache. “Don Cutting” ( two half-glasses ) of tea is one such example. It forced us to shed our prejudice for once and appreciate its finer nuances.As mentioned in our earlier review/s that art, artists and writer themes are passé. We’ve had enough of them. But once in a while, a film based on these very subjects brings a smile on our faces because of their variation, a twist with panache. “Don Cutting” ( two half-glasses ) of tea is one such example. It forced us to shed our prejudice for once and appreciate its finer nuances.
Synopsis –
Kunal ( Akshay Kelkar ) is an artist, and like many creative individuals is obsessed with his profession. Money, society and people mean little to him, and because of these virtues he refuses to meet prospective girls, would-be life partners arranged by his father. Finally, family ( Father – Yatin Karyekar ) and societal pressure wins. He agrees to meet Anvita ( Samruddhi Kelkar ), a writer and a pretty looking young woman.
Every time Anvita drops by, Kunal takes her out to a small tea shop ( Tapari ), orders a couple of glasses of tea ( Don Cutting ). Here they sip tea and talk about their lives and their future. While Kunal clarifies that he is incapable of maintaining a family because of his erratic earnings, Anvita agrees with his fears and his reservations. She suggests that they continue to meet before taking the final call.
The meetings continue and so do the harsh philosophical and personal debates. Over a period of time they arrive at a conclusion. Check out the movie to know about their decision and their fate.
Analysis –
Very few short films give the feeling of exuberance, of elation, of cinematic satiation. Most of the time, the brevity itself is the culprit. Time constraint prevents the writer from crafting a perfect story arc. However, Don Cutting is an exception and the reason is because the conflict is highlighted in the very first dialog. We have seen Akshay’s performance in television broadcasts / programs and even in few Marathi films; however, we believe he reserved his best for this film.
The timely pauses, thoughtful expressions and the anguish on his face enhance the already powerful dialogs even further. If he was excellent then Samruddhi was not far behind. The switch from a bubbly young lady to someone who is well-informed and a mature writer is enacted with precision. Congratulations to the director for keeping it simple and not experimenting too much with the overall feel or the ambience. Cinematography was spot on and complemented the subject very well.
2020 Krunal Rane Suyash Acharya & Krunal Rane 17 Minutes Philambazz | YouTube